1.City Palace :

City Palace towers over the Pichola Lake. Maharana Udai Singh initiated the construction of the palace but successive Maharanas added several palaces and structures to the complex but retained remarkable uniformity in the design. The entry to the Palace is from the Hati Pol, the Elephant Gate. The Bari Pol or the Big Gate brings you to the Tripolia, the Triple gate. It was a custom to weigh the Maharaja under this gate in gold and silver, which was distributed to the populace. It is also now the main ticket office. Balconies, cupolas and towers of the palace give a wonderful view of the lake. Suraj Gokhada (or the balcony of the sun) is where the Maharana would grant public audiences mainly to boost the morale of the people in trying times. The Mor Chowk is the Hindi name of peacock square and is named after a vivid blue decorative glass peacock on the wall.

The main part of the palace is now preserved as a museum displaying a large and diverse array of artifacts. As we go down the steps from the entrance is the armoury museum exhibiting a huge collection of protective gears and various kinds of weapons including the lethal two-pronged sword. The City Palace museum is then entered through the Ganesh Deori. This leads to the Rajya Angan or the royal courtyard. This is the spot where Maharana Udai Singh is said to have met the sage who advised him to found a city here. The rooms of the palace are superbly decorated with mirror tiles and paintings. Manak Mahal or the Ruby Palace has a lovely collection of glass and mirror work while Krishna Vilas displays a rich collection of miniature paintings. Moti Mahal (the pearl palace) has beautiful mirror work and the Chini Mahal has ornamental tiles all over. The Surya Chopar (the sun square) depicts a huge ornamental sun symbolising the sun dynasty to which the Maharajas and their ancestors belonged. The Bari Mahal is a central garden giving a view of the city. Some more beautiful paintings can be seen in the ‘Zenana Mahal’ (the ladies chamber). Then, there is the Lakshmi Chowk which is a beautiful white pavilion.

2.Crystal Gallery:

Situated in the Fateh Prakash Palace, it has a breath taking collection of crystals. These were ordered by Maharana Sajjan Singh from F & C Osler England but could not live to see them because of his untimely death. The crystal items include tables, sofa sets, dining tables, dressers, fountains and even beds besides a whole array of washing bowls, decanters and perfume bottles. There is also an exquisite jewel studded carpet.

3.Fateh Prakash Palace:

The Fateh Prakash Palace, the grand heritage palace hotel of the HRH group represents the authentic royal luxury at its best. The warmth of royal hospitality greets you as you walk along the corridors lined with large paintings of the Mewar School that flourished through the seventeenth to the nineteenth century.

The lake facing suites in the turrets are suitably appointed with four poster beds and period furniture, festooned with maroon velvet curtains and delicate silk tassels. It’s a legacy kept alive since the early decades of the twentieth century when Maharana Fateh Singh (period of reign: 1884 – 1935) used to be the royal occupant of this palace. Till date the formality of royal occasions are maintained.